L. C. Armstrong 2023 Wall Calendar

Size: 12 x 13 x .125 in.
Opens to: 12 x 26 in.

• 12 monthly grids and full-color artwork
• High-quality printing with soy-based inks on premium, environmentally sourced paper stock
• Exceptional color quality
• Grid pages are easy to write on
• Features US, Canadian, and United Kingdom legal holidays
• Perfect for hanging at home or over an office desk
• Pomegranate’s calendars feature exclusive selections of art from museums and artists around the world

In L. C. Armstrong’s magical realism paintings, everyday objects, flora, and fauna become fantastic and hyperreal. A hummingbird perches on the tail of a green-eyed cat, and a tiny human balances atop a lion’s back in a field of enormous sunflowers. Bloom-bedecked landscapes speak of happiness and optimism—though with an edge. A passion flower’s trellis might be made of barbed wire, and orchids might grow from stems created by setting fire to carefully positioned bomb fuses. Using thin layers of paint on panels of gessoed linen, Armstrong’s narrative works appear lit from within, ethereal and somehow spiritual, often aglow beneath a final layer of clear resin. Revel in the magical all year long with the 12 luminous paintings showcased in this calendar.

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L. C. Armstrong 2023 Wall Calendar

L. C. Armstrong 2023 Wall Calendar

translation missing: en.products.product.price.regular_price $15.99
translation missing: en.products.product.price.sale_price $15.99 translation missing: en.products.product.price.regular_price
About: L. C. Armstrong

L. C. Armstrong (American, b. 1954) is best known for ethereal landscapes created with thin layers of acrylic paint, illuminating sunsets and flowers alike to convey a sense of spirituality. By transforming ordinary subjects into fantastic ones, she envisions magical realist scenes where monkeys swing from flower stems and giraffes feast on petals. Her use of shifting scale furthers the feeling that her flora and fauna (Homo sapiens included) exist in another realm. All is not sweetness and light, though. The artist has used bomb fuses in her resin-coated works, and especially in regard to species juxtaposition, she comments on the state of our existence, both physical and metaphysical. Armstrong’s art has been exhibited around the world and resides in many permanent collections.

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