The Sierra Range

Puzzle size: 20 x 25 in.
Box size: 10 x 13 x 1⅞ in.

Charley Harper (American, 1922–2007)
The Sierra Range, 1990

Charley Harper (American, 1922—2007) designed more than fifty posters for various natural areas, parks, and conservation organizations, each colorful work celebrating a special part of our natural world in his unmistakable and vibrant style. When asked to describe this style, Harper responded: “I regard the picture as an ecosystem in which all the elements are interrelated, interdependent, perfectly balanced, without trimming or unutilized parts; . . . in a world of chaos, the picture is one small rectangle in which the artist can create an ordered universe. ” Harper’s distinctive use of simple geometric shapes, patterns, and vivid colors succinctly captures the essence of each creature he portrayed.

Thoughtfully conceived and engagingly intricate, our 1,000-piece jigsaw puzzles combine superb color reproduction, stunning and unusual images, and sturdy construction to delight generations of novice and veteran puzzleworkers.

Licensed Product of Pomegranate Communications, Inc

translation missing: en.products.product.price.regular_price $37.00 AUD
translation missing: en.products.product.price.sale_price $37.00 AUD translation missing: en.products.product.price.regular_price
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The Sierra Range

The Sierra Range

translation missing: en.products.product.price.regular_price $37.00 AUD
translation missing: en.products.product.price.sale_price $37.00 AUD translation missing: en.products.product.price.regular_price
Charley Harper

Midcentury modernist Charley Harper (American, 1922–2007) portrayed the natural world with heart and humor. In vivid colors and simple shapes, his cardinals, ladybugs, and clever critters have become icons of wildlife art. His illustrations were published in magazines and books, notably Ford Times and The Giant Golden Book of Biology. A longtime conservationist, Harper created posters for more than 50 nature- and conservation-oriented organizations. His US National Park Service posters—massive, requiring a year each to paint—showcase delightful depictions of entire ecosystems in a style he defined as “minimal realism.” In his adopted hometown of Cincinnati, his public works are the legacy of an artist truly beguiled by the wild, one whose art was a quiet catalyst for ecological action.

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